Bruno Balz, Adalbert Lutter Tanzorchester, Eric Helgar made "Der Blaufuchs: Kann die Liebe Sünde sein?" available on May 10, 2019. The duration of Der Blaufuchs: Kann die Liebe Sünde sein? is about 3 minutes long, at 3:01. Based on our data, "Der Blaufuchs: Kann die Liebe Sünde sein?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Schellack Schätze: Treasures on 78 RPM from Berlin, Europe & the World, Vol. 24". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Der Blaufuchs: Kann die Liebe Sünde sein?'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Der Blaufuchs: Kann die Liebe Sünde sein? by Bruno Balz, Adalbert Lutter Tanzorchester, Eric Helgar having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wenn die Elisabeth nicht so schöne Beine hätt' | Siegfried Arno | G Major | 6 | 9B | 120 BPM | ||
Liebe, Was Wird Mit Uns Beiden Passieren | Clarence Jonathan | D♭ Major | 3 | 3B | 82 BPM | ||
Davon geht die Welt nicht unter | Zarah Leander | D Major | 2 | 10B | 184 BPM | ||
Wiener Blut | Schrammel-Ensemble Alfons Bauer | C Major | 3 | 8B | 90 BPM | ||
Dunkles Wolkenmeer (Otshi Tshernia) | Alexandra | F Major | 4 | 7B | 101 BPM | ||
Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Introduktion (Reiseführer) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 4 | 6B | 96 BPM | ||
Guten Tag, liebes Glück | Lilian Harvey | E♭ Major | 2 | 5B | 97 BPM | ||
Steig Ich Den Berg Hinauf | Hans Braun and His Brauhause Band and Chorus | A♭ Major | 7 | 4B | 90 BPM | ||
Ach, es liebten sich zwei in der Rosenzeit (From "Zwei Menschen") | Bruno Balz, Gloria Lilienborn, Original Glorias | C Major | 3 | 8B | 123 BPM | ||
Quando, Quando, Quando | Paul Kuhn | B♭ Major | 6 | 6B | 105 BPM |
Section: 0.5360743999481201
End: 0.540179967880249