"Il Primo Libro de Madrigali, Op. 1: Sospir che del bel petto, SWV 14" by Heinrich Schütz, Consort Of Musicke was released on 1990. The duration of Il Primo Libro de Madrigali, Op. 1: Sospir che del bel petto, SWV 14 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Il Primo Libro de Madrigali, Op. 1: Sospir che del bel petto, SWV 14's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Schütz - Il primo libro de madrigali". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. In terms of popularity, Il Primo Libro de Madrigali, Op. 1: Sospir che del bel petto, SWV 14 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Primo Libro de Madrigali, Op. 1: Sospir che del bel petto, SWV 14 by Heinrich Schütz, Consort Of Musicke having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantiones sacrae, Op. 4: 15. Dulcissime et benignissime Christe, SWV 67 | Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, David Erler, Georg Poplutz, Tobias Mäthger, Frauke Hess, Ludger Rémy, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | B♭ Minor | 1 | 3A | 99 BPM | ||
Johannes-Passion, SWV 481: V. Geißelung und Verspottung | Heinrich Schütz, Jan Kobow, Friedemann Condé, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | B♭ Minor | 1 | 3A | 82 BPM | ||
Kleine geistliche Konzerte I, Op. 8: 7. Der Herr schauet vom Himmel, SWV 292 | Heinrich Schütz, Isabel Schicketanz, Ulrike Hofbauer, Maria Stosiek, David Erler, Andreas Wolf, Felix Schwandtke, Georg Poplutz, Matthias Müller, Stefan Maass, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann, Ludger Rémy | F Major | 3 | 7B | 158 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Introitus: II. Te decet hymnus Deus in Sion | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 81 BPM | ||
20. Coro: Ihr Augen weint | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | C Major | 2 | 8B | 82 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
Soipa kieli | Oskar Merikanto, Lauri Nurkkala, Ilmari Calamnius, Kamarikuoro Sofia Magdalena | F♯ Minor | 1 | 11A | 79 BPM |
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