"Sicilienne pour flûte et piano" by Philippe Gaubert, Vincent Lucas, Laurent Wagschal was released on 2014. The duration of Sicilienne pour flûte et piano is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Sicilienne pour flûte et piano's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philippe Gaubert, Vincent Lucas, Laurent Wagschal's "Gaubert: Musique de chambre avec flûte et piano" album is number 10 out of 28. Sicilienne pour flûte et piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sicilienne pour flûte et piano by Philippe Gaubert, Vincent Lucas, Laurent Wagschal to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymnus für 12 Violoncelli, Op. 57 | Julius Klengel, Peter Bruns, Martina Biondi, Carmen Dreßler, Timothy Hopkins, Jungin Huh, Moritz Klauk, Elisabeth Kogan, Angèle Legasa, Lukas Plag, Nerea Sorozábal, Friedrich Thiele, Fermin Villanueva, Margarethe Vogler, Dana de Vries | G Major | 1 | 9B | 89 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Histoire du tango: II. Café 1930 - Arr. for Flute and Guitar | Astor Piazzolla, Vincent Lucas, Laurent Blanquart | E Minor | 0 | 9A | 131 BPM | ||
Fantaisie | Philippe Gaubert, Mathieu Dufour, Kuang-Hao Huang | B♭ Major | 1 | 6B | 69 BPM | ||
2 Petites pieces: No. 1. Reverie | Andre Caplet, Edouard Sabo, Laurent Wagschal | E Minor | 1 | 9A | 70 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Etude No. 3: Tango étude - Arr. for Flute and Guitar | Astor Piazzolla, Vincent Lucas, Laurent Blanquart | A Minor | 0 | 8A | 85 BPM | ||
3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro" | Franz Liszt, William Wolfram | D♭ Major | 1 | 3B | 69 BPM | ||
Nocturne OP. 33 NR. 2 | Laurent Wagschal | F♯ Major | 1 | 2B | 67 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM |
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