Robert Schumann, Isabelle Faust, Alexander Melnikov, Jean-Guihen Queyras's 'Piano Trio No. 3 in G Minor, Op. 110: Piano Trio No. 3 in G Minor, Op. 110: III. Rasch' came out on March 23, 2015. With this song being about 5 minutes long, at 4:33, "Piano Trio No. 3 in G Minor, Op. 110: Piano Trio No. 3 in G Minor, Op. 110: III. Rasch" by Robert Schumann, Isabelle Faust, Alexander Melnikov, Jean-Guihen Queyras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Schumann: Violin Concerto". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Piano Trio No. 3 in G Minor, Op. 110: Piano Trio No. 3 in G Minor, Op. 110: III. Rasch is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio No. 3 in G Minor, Op. 110: Piano Trio No. 3 in G Minor, Op. 110: III. Rasch by Robert Schumann, Isabelle Faust, Alexander Melnikov, Jean-Guihen Queyras having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang | A Minor | 1 | 8A | 68 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
A Slinky Foxtrot "Nocturne" | Robert Constable, Piers Lane | D Minor | 0 | 7A | 92 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM |
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