"Mörike-Lieder: 24. "In der Frühe"" by Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim was released on January 1, 1995. The duration of Mörike-Lieder: 24. "In der Frühe" is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Mörike-Lieder: 24. "In der Frühe"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf: Lieder by Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim. The song's track number on the album is #20 out of 152 tracks. The popularity of Mörike-Lieder: 24. "In der Frühe" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mörike-Lieder: 24. "In der Frühe" by Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim has a tempo of 173 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Mörike-Lieder: 24. "In der Frühe" being at 173 BPM, the half-time would be 86 BPM with a double-time of 346 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verschwiegene Liebe | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | A Major | 0 | 11B | 74 BPM | ||
Deine Mutter, süßes Kind (Don Luis el Chico trans Heyse) from Spanisches Liederbuch | Hugo Wolf, Olaf Bär, Geoffrey Parsons | A Minor | 1 | 8A | 89 BPM | ||
An die ferne Geliebte, Op. 98: No. 3, Leichte Segler in den Höhen | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | A♭ Major | 0 | 4B | 144 BPM | ||
15 Romances, Op. 26: No. 10, Before My Window | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
La Libellule: La Libellule | Camille Saint-Saëns, Erin Morley, Gerald Martin Moore | D♭ Minor | 1 | 12A | 174 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Rückert-Lieder: Ich atmet' einen linden Duft | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | G Major | 0 | 9B | 93 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
Ein deutsches Requiem, Op. 45: Wie lieblich sind dein Wohnungen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | E♭ Major | 1 | 5B | 80 BPM |
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