The Seraph: Commentary
Ryan Scott Oliver, Jay Armstrong Johnson, Matthew Murphy
35MM: A Musical Exhibition in Focus
7:15 March 9, 2021
BPM
87
Key
C Major
Camelot
8B

Embed

Share Link

The Seraph: Commentary - Ryan Scott Oliver, Jay Armstrong Johnson, Matthew Murphy Information

Acousticness
64%
Danceability
69%
Energy
23%
Instrumentalness
0%
Liveness
17%
Loudness
68%
Speechiness
88%
Valence
70%
Popularity
Loudness
-19.028 dB

Summary

Ryan Scott Oliver, Jay Armstrong Johnson, Matthew Murphy made "The Seraph: Commentary" available on March 9, 2021. Since The Seraph: Commentary is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 35MM: A Musical Exhibition in Focus, so we believe that "The Seraph: Commentary" is a single. The Seraph: Commentary is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

The Seraph: Commentary BPM

The tempo marking of The Seraph: Commentary by Ryan Scott Oliver, Jay Armstrong Johnson, Matthew Murphy is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

The Seraph: Commentary Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Girl in 14G by Elena TalThe Girl in 14GElena TalB Minor410A151 BPM
Play On by Shaina Taub, Ato Blankson-Wood, Nikki M. James, 'Twelfth Night' CompanyPlay OnShaina Taub, Ato Blankson-Wood, Nikki M. James, 'Twelfth Night' CompanyE♭ Major65B93 BPM
Marvin by Lucie Jones, The Zoo Animals, Vikki Stone, The London Musical Theatre OrchestraMarvinLucie Jones, The Zoo Animals, Vikki Stone, The London Musical Theatre OrchestraE♭ Major45B104 BPM
The Brain by Hadley Fraser, Perry O’Dea, Nathan Elwick, Josh Wilmott, EnsembleThe BrainHadley Fraser, Perry O’Dea, Nathan Elwick, Josh Wilmott, EnsembleG Major59B72 BPM
The March (We Demand Equality) [from the Broadway musical “Suffs”] by Hannah Cruz, Nikki M. James, Original Broadway Cast of SuffsThe March (We Demand Equality) [from the Broadway musical “Suffs”]Hannah Cruz, Nikki M. James, Original Broadway Cast of SuffsD♭ Minor612A92 BPM
Maybe Potentially Great by Central Park Cast, Kathryn Hahn, Leslie Odom Jr., Josh GadMaybe Potentially GreatCentral Park Cast, Kathryn Hahn, Leslie Odom Jr., Josh GadB Minor610A174 BPM
I Don't Want to Be Sad Anymore by Ryan Scott Oliver, Lindsay MendezI Don't Want to Be Sad AnymoreRyan Scott Oliver, Lindsay MendezA♭ Major24B116 BPM
I Can't Imagine by Lauren Kennedy, Sarah Stiles, Anneliese Van Der PolI Can't ImagineLauren Kennedy, Sarah Stiles, Anneliese Van Der PolB♭ Major46B138 BPM
Fuck the Night by Tom McGovernFuck the NightTom McGovernA Major811B90 BPM
Something's Cooking by James Royal Valcq, Original off-Broadway CastSomething's CookingJames Royal Valcq, Original off-Broadway CastF Major37B136 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5313065052032471

End: 0.5363137722015381