"Ravel / Arr. Heifetz: Valses nobles et sentimentales, M. 61: No. 6, Vif & No. 7, Moins vif" by Jascha Heifetz, Maurice Ravel, Itzhak Perlman, Samuel Sanders was released on October 3, 2005. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #18 out of 46 tracks. In terms of popularity, Ravel / Arr. Heifetz: Valses nobles et sentimentales, M. 61: No. 6, Vif & No. 7, Moins vif is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ravel / Arr. Heifetz: Valses nobles et sentimentales, M. 61: No. 6, Vif & No. 7, Moins vif by Jascha Heifetz, Maurice Ravel, Itzhak Perlman, Samuel Sanders has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Ravel / Arr. Heifetz: Valses nobles et sentimentales, M. 61: No. 6, Vif & No. 7, Moins vif being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 125 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 1 | 10A | 125 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra | D Minor | 2 | 7A | 99 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 27 "Ballade" | Eugène Ysaÿe, Maxim Vengerov | G Minor | 1 | 6A | 141 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Bach, JS: Sonata for Solo Violin No. 1 in G Minor, BWV 1001: I. Adagio | Johann Sebastian Bach, Jascha Heifetz | E♭ Major | 1 | 5B | 93 BPM | ||
Paganini / Arr. Auer: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Jascha Heifetz | A Minor | 1 | 8A | 126 BPM | ||
Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: I. Allegro moderato | Henryk Wieniawski, Sir John Barbirolli, Jascha Heifetz, London Philharmonic Orchestra | F Major | 2 | 7B | 72 BPM |
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