Piva - Joan Ambrosio Dalza, Paul O'Dette Information

Acousticness
97%
Danceability
39%
Energy
14%
Instrumentalness
86%
Liveness
15%
Loudness
58%
Speechiness
5%
Valence
54%
Popularity
Loudness
-25.05 dB

Summary

Joan Ambrosio Dalza, Paul O'Dette made "Piva" available on 1999. The duration of Piva is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Piva's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 30 in Alla Venetiana - Early 16th Century Venetian Lute Music by Paul O'Dette. Based on our statistics, Piva's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Piva BPM

The tempo marking of Piva by Joan Ambrosio Dalza, Paul O'Dette is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Piva Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Fantasia sexta by Francesco da Milano, Christopher Wilson, Shirley RumseyFantasia sextaFrancesco da Milano, Christopher Wilson, Shirley RumseyF Major17B123 BPM
Terpsichore (arr. H. Baumer): Courante by Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil FärnlofTerpsichore (arr. H. Baumer): CouranteMichael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil FärnlofG Major39B111 BPM
Allemande 4 - 1557 by Claude Gervaise, Ensemble Doulce MémoireAllemande 4 - 1557Claude Gervaise, Ensemble Doulce MémoireG Minor26A117 BPM
Basse danse la Magdalena by Pierre Attaingnant, Ulsamer Collegium, Josef UlsamerBasse danse la MagdalenaPierre Attaingnant, Ulsamer Collegium, Josef UlsamerD Minor07A83 BPM
In Nomine by John Taverner, The Rose Consort Of ViolsIn NomineJohn Taverner, The Rose Consort Of ViolsE Major012B108 BPM
Fortune My Foe, P. 62 by John Dowland, Bor ZuljanFortune My Foe, P. 62John Dowland, Bor ZuljanF Minor14A95 BPM
En el porta de Santiago ! : Canzon La Benedetta by Andrea Falconieri, Arianna Savall, La Fenice, Jean TubéryEn el porta de Santiago ! : Canzon La BenedettaAndrea Falconieri, Arianna Savall, La Fenice, Jean TubéryG Minor16A78 BPM
Tarantellas I (Arr. for Recorders and Baroque Guitar by Miriam Nerval) by Palisander, Toby CarrTarantellas I (Arr. for Recorders and Baroque Guitar by Miriam Nerval)Palisander, Toby CarrG Minor16A73 BPM
Basciami Mille Volte a 5 Voci by Luca Marenzio, Rinaldo Alessandrini, Concerto ItalianoBasciami Mille Volte a 5 VociLuca Marenzio, Rinaldo Alessandrini, Concerto ItalianoG Minor16A81 BPM
Canario by Giovanni Girolamo Kapsberger, Carlos OramasCanarioGiovanni Girolamo Kapsberger, Carlos OramasF♯ Major12B96 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6283769607543945

End: 0.632911205291748