Mark Murphy's '(I'm Left With The) Blues In My Heart' came out on January 1, 1963. The duration of (I'm Left With The) Blues In My Heart is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. (I'm Left With The) Blues In My Heart's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "That's How I Love The Blues!". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. (I'm Left With The) Blues In My Heart is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With (I'm Left With The) Blues In My Heart by Mark Murphy having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violets For Your Furs | Jutta Hipp, Zoot Sims | E♭ Major | 1 | 5B | 67 BPM | ||
That's for Sure | Billy Taylor | D♭ Major | 4 | 3B | 144 BPM | ||
Lazy River | Benny Goodman Trio | A Minor | 1 | 8A | 97 BPM | ||
I've Got A Crush On You | Dorothy Dandridge | G Minor | 1 | 6A | 131 BPM | ||
I'm Hip | Veronica Swift | F Minor | 5 | 4A | 106 BPM | ||
The More I See You - Rudy Van Gelder Edition | Hank Mobley | A♭ Major | 3 | 4B | 80 BPM | ||
Mercy, Mercy, Mercy | Eddie Jefferson | B♭ Major | 3 | 6B | 175 BPM | ||
Boo-Go-Loo | Les McCann | G Major | 7 | 9B | 152 BPM | ||
The Night We Called It A Day | Irene Kral | C Major | 1 | 8B | 87 BPM | ||
This Could Be the Start of Something - This Could Be the Start of Something | Mark Murphy, Conte Candoli, Richie Kamuca, Jimmy Rowles, Pete Candoli, Stan Levey, Mel Lewis | C Minor | 2 | 5A | 174 BPM |
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