Claude Delvincourt, Joël Versavaud, Laura Caravello's 'Croquembouches: II. Linzer tart' came out on September 4, 2015. With Croquembouches: II. Linzer tart being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 21 in Croquembouches by Joël Versavaud, Laura Caravello. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Croquembouches: II. Linzer tart is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Croquembouches: II. Linzer tart by Claude Delvincourt, Joël Versavaud, Laura Caravello is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: III. Electric | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
Dance Preludes *: No. 2. Andantino | Witold Lutosławski, Charles West, Susan Grace | D♭ Major | 0 | 3B | 69 BPM | ||
Cello Concerto: I. Inizio | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Mendelssohn: Sonata in F Major, MWV Q26: II. Adagio | Felix Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Major | 1 | 11B | 68 BPM | ||
Mermaid's Song | Lūcija Garūta, Ilona Meija, Dzintra Erliha | A Minor | 0 | 8A | 106 BPM | ||
Croquembouches: VI. Plum pudding | Claude Delvincourt, Joël Versavaud, Laura Caravello | G Major | 1 | 9B | 111 BPM | ||
The Nutcracker, Op. 71, TH 14: Arabian Dance (Arr. E. Smedvig) | Pyotr Ilyich Tchaikovsky, Empire Brass | E Minor | 0 | 9A | 71 BPM |
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