"Nocturne No. 20 in C-Sharp Minor, BI 49" by Frédéric Chopin, Idil Biret was released on July 31, 1992. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 12 in Chopin: Nocturnes, Vol. 1 by Frédéric Chopin. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Nocturne No. 20 in C-Sharp Minor, BI 49 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne No. 20 in C-Sharp Minor, BI 49 by Frédéric Chopin, Idil Biret is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
Jeux d'enfants, Op. 22: III. La poupée | Georges Bizet, Karin Lechner, Sergio Tiempo | D Major | 2 | 10B | 130 BPM | ||
Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Les saisons (The Seasons), Op. 37b: June: Barcarolle | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | G Minor | 0 | 6A | 164 BPM | ||
Introduction & Rondo capriccioso in A Minor, Op. 28 | Camille Saint-Saëns, Tedi Papavrami, Orchestre Philharmonique Royal de Liège Wallonie Bruxelles, François-Xavier Roth | A Minor | 1 | 8A | 133 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Itzhak Perlman, Jean Martinon, Orchestre de Paris | E Minor | 1 | 9A | 171 BPM | ||
Liebestraum No.3 in A Flat Major, Op.62: O lieb' so lang Du lieben kannst | Josef Bulva | A♭ Major | 0 | 4B | 65 BPM | ||
Grandes Études de Paganini, S. 141: No. 3 in G-Sharp Minor "La Campanella" | Franz Liszt, Daniil Trifonov | A♭ Minor | 2 | 1A | 93 BPM |
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