Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!")
Kurt Weill, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg
Weill: Die Dreigroschenoper
1:14 1958
BPM
124
Key
G Minor
Camelot
6A

Embed

Share Link

Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") - Kurt Weill, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg Information

Acousticness
90%
Danceability
60%
Energy
6%
Instrumentalness
0%
Liveness
17%
Loudness
62%
Speechiness
13%
Valence
41%
Popularity
Loudness
-22.987 dB

Summary

Kurt Weill, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg made "Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!")" available on 1958. With Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #3 out of 26 tracks. Based on our statistics, Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!")'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") BPM

Since Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") by Kurt Weill, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.

Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love by Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard ArmanFrom the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False LoveEdward Elgar, Bavarian Radio Chorus, Max Hanft, Howard ArmanD Major110B99 BPM
Lieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sich by Felix Mendelssohn, Angelika Kirchschlager, Barbara BonneyLieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sichFelix Mendelssohn, Angelika Kirchschlager, Barbara BonneyC Minor05A69 BPM
When I Was One And Twenty by Anne ThursfieldWhen I Was One And TwentyAnne ThursfieldF Major17B92 BPM
Widmung, Op.25, No.1 by Robert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachWidmung, Op.25, No.1Robert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachF♯ Major02B83 BPM
Les Noces, Première partie, Premier tableau: Chez le marié by Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel ReussLes Noces, Première partie, Premier tableau: Chez le mariéIgor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel ReussE♭ Major15B131 BPM
Anatevka: Tradition (Tevje) by Jerry Bock, Gerhard Ernst, Seefestspiele Mörbisch, David LeviAnatevka: Tradition (Tevje)Jerry Bock, Gerhard Ernst, Seefestspiele Mörbisch, David LeviC Major28B82 BPM
Erlkönig, D.328 (Op. 1) by Franz Schubert, Jessye Norman, Phillip MollErlkönig, D.328 (Op. 1)Franz Schubert, Jessye Norman, Phillip MollF♯ Minor111A76 BPM
Myrthen, Op. 25: 24. Du bist wie eine Blume by Robert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachMyrthen, Op. 25: 24. Du bist wie eine BlumeRobert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachF♯ Major02B131 BPM
Tristan und Isolde / Act 1: Tristan und Isolde / Act 1: "Frisch weht der Wind der Heimat zu"Richard Wagner, Margaret Price, Brigitte Fassbaender, Eberhard Büchner, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos KleiberC Major18B94 BPM
Die Dreigroschenoper: Hochzeitslied by Kurt Weill, Rolf Boysen, René Kollo, RIAS Kammerchor, Rias-Sinfonietta Berlin, John MauceriDie Dreigroschenoper: HochzeitsliedKurt Weill, Rolf Boysen, René Kollo, RIAS Kammerchor, Rias-Sinfonietta Berlin, John MauceriG Major19B86 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8806726932525635

End: 0.8844647407531738