Kurt Weill, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg made "Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!")" available on 1958. With Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #3 out of 26 tracks. Based on our statistics, Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!")'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") by Kurt Weill, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Dreigroschenoper: Akt I, Der Morgenchoral des Peachum ("Wach auf, du verrotteter Christ!") being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Lieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sich | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Minor | 0 | 5A | 69 BPM | ||
When I Was One And Twenty | Anne Thursfield | F Major | 1 | 7B | 92 BPM | ||
Widmung, Op.25, No.1 | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 83 BPM | ||
Les Noces, Première partie, Premier tableau: Chez le marié | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | E♭ Major | 1 | 5B | 131 BPM | ||
Anatevka: Tradition (Tevje) | Jerry Bock, Gerhard Ernst, Seefestspiele Mörbisch, David Levi | C Major | 2 | 8B | 82 BPM | ||
Erlkönig, D.328 (Op. 1) | Franz Schubert, Jessye Norman, Phillip Moll | F♯ Minor | 1 | 11A | 76 BPM | ||
Myrthen, Op. 25: 24. Du bist wie eine Blume | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 131 BPM | ||
Tristan und Isolde / Act 1: "Frisch weht der Wind der Heimat zu" | Richard Wagner, Margaret Price, Brigitte Fassbaender, Eberhard Büchner, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber | C Major | 1 | 8B | 94 BPM | ||
Die Dreigroschenoper: Hochzeitslied | Kurt Weill, Rolf Boysen, René Kollo, RIAS Kammerchor, Rias-Sinfonietta Berlin, John Mauceri | G Major | 1 | 9B | 86 BPM |
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