"Ruth: Then Naomi, in praise of Ruth, told me…" by Franz Waxman, George Shirley, Berlin Radio Symphony Orchestra, Lawrence Foster was released on January 1, 1996. With Ruth: Then Naomi, in praise of Ruth, told me… being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Waxman, F.: Spirit of St. Louis (The) / Ruth by Franz Waxman, Lawrence Foster. The song's track number on the album is #16 out of 21 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Ruth: Then Naomi, in praise of Ruth, told me…'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ruth: Then Naomi, in praise of Ruth, told me… by Franz Waxman, George Shirley, Berlin Radio Symphony Orchestra, Lawrence Foster has a tempo of 143 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Ruth: Then Naomi, in praise of Ruth, told me… being at 143 BPM, the half-time would be 72 BPM with a double-time of 286 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also Sprach Zarathustra (Thus Spake Zarathrustra) | Richard Strauss | C Major | 2 | 8B | 89 BPM | ||
Confession Scene - From "Rebecca" | Franz Waxman | A♭ Minor | 0 | 1A | 77 BPM | ||
Tess | Philippe Sarde | A Minor | 2 | 8A | 129 BPM | ||
Le Villi: Act I - L'Abbandono | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Piano Concerto No. 2 in C Minor: II. Energico un poco pesante – Vivacissimo – | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | C Major | 1 | 8B | 64 BPM | ||
Check Out | Original Soundtrack | F♯ Major | 3 | 2B | 141 BPM | ||
The Men's Project: II. Meeting Madeleine | Milo Paulus | C Major | 2 | 8B | 136 BPM | ||
High Heels | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | F Minor | 2 | 4A | 159 BPM | ||
Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
Visitors On Main | Byron McKay | G Major | 1 | 9B | 142 BPM |
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