I'm All Alone - Original Broadway Cast Recording: "Spamalot"
Tim Curry, Michael McGrath
Monty Python's Spamalot
3:19 January 1, 2005
BPM
174
Key
C Major
Camelot
8B

Embed

Share Link

I'm All Alone - Original Broadway Cast Recording: "Spamalot" - Tim Curry, Michael McGrath Information

Acousticness
94%
Danceability
27%
Energy
29%
Instrumentalness
0%
Liveness
16%
Loudness
86%
Speechiness
3%
Valence
30%
Popularity
Loudness
-8.633 dB

Summary

Tim Curry, Michael McGrath's 'I'm All Alone - Original Broadway Cast Recording: "Spamalot"' came out on January 1, 2005. The duration of I'm All Alone - Original Broadway Cast Recording: "Spamalot" is about 3 minutes long, at 3:19. Based on our data, "I'm All Alone - Original Broadway Cast Recording: "Spamalot"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Monty Python's Spamalot" album is number 22 out of 25. On top of that, United States appears to be the country where this track was created. The popularity of I'm All Alone - Original Broadway Cast Recording: "Spamalot" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

I'm All Alone - Original Broadway Cast Recording: "Spamalot" BPM

We consider the tempo marking of I'm All Alone - Original Broadway Cast Recording: "Spamalot" by Tim Curry, Michael McGrath to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

I'm All Alone - Original Broadway Cast Recording: "Spamalot" Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pirelli's Miracle Elixir by Edwards Sanders, Johnny Depp, Helena Bonham CarterPirelli's Miracle ElixirEdwards Sanders, Johnny Depp, Helena Bonham CarterF Major47B134 BPM
Day One by Andy Karl, Groundhog Day The Musical Company, Tim MinchinDay OneAndy Karl, Groundhog Day The Musical Company, Tim MinchinD Major510B131 BPM
Moments in the Sun - From Moments in the Sun - From "Galavant"Cast of GalavantD Major410B89 BPM
Can't Stay Away by Michael McGrathCan't Stay AwayMichael McGrathG Major89B77 BPM
I Believe In You by Daniel Radcliffe, The ExecutivesI Believe In YouDaniel Radcliffe, The ExecutivesC Major28B91 BPM
I Am the One by J. Robert Spencer, Aaron Tveit, Alice RipleyI Am the OneJ. Robert Spencer, Aaron Tveit, Alice RipleyA Major611B96 BPM
I Miss The Music by The Original Broadway Cast Of 'Curtains'I Miss The MusicThe Original Broadway Cast Of 'Curtains'F Major17B74 BPM
The Song That Goes Like This - Original Broadway Cast Recording: The Song That Goes Like This - Original Broadway Cast Recording: "Spamalot"Christopher Sieber, Sara RamirezF Major77B181 BPM
I Love the Way by Kate Reinders, John Cariani, Wayne Kirkpatrick, Karey KirkpatrickI Love the WayKate Reinders, John Cariani, Wayne Kirkpatrick, Karey KirkpatrickG Major39B63 BPM
Schadenfreude by Natalie Venetia Belcon, Rick LyonSchadenfreudeNatalie Venetia Belcon, Rick LyonA Major511B149 BPM
ISRC
USUMC0500048
Label
L-M Records/RCA Records

Section: 0.6044340133666992

End: 0.6094944477081299