Allan Pettersson, Antal Doráti, Anders Larsson, Nordic Chamber Orchestra, Christian Lindberg's '8 Barfotasanger (Barefoot Songs) (arr. A. Dorati): No. 4. Jungfrun och ljugarpust' came out on January 1, 2009. With this song being about 5 minutes long, at 5:05, "8 Barfotasanger (Barefoot Songs) (arr. A. Dorati): No. 4. Jungfrun och ljugarpust" by Allan Pettersson, Antal Doráti, Anders Larsson, Nordic Chamber Orchestra, Christian Lindberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Pettersson, A.: 8 Barefoot Songs / Concertos for Strings Nos. 1-2". In this album, this song's track order is #4. In terms of popularity, 8 Barfotasanger (Barefoot Songs) (arr. A. Dorati): No. 4. Jungfrun och ljugarpust is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Barfotasanger (Barefoot Songs) (arr. A. Dorati): No. 4. Jungfrun och ljugarpust by Allan Pettersson, Antal Doráti, Anders Larsson, Nordic Chamber Orchestra, Christian Lindberg having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse - Instrumental | Gabriel Fauré, Philadelphia Orchestra, Charles Münch | C Major | 1 | 8B | 95 BPM | ||
Songs of Separation: II. Burning Hell | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | A♭ Major | 3 | 4B | 87 BPM | ||
Gustav Adolf II, Op. 49: Elegi | Hugo Alfvén, Swedish Radio Symphony Orchestra, Stig Westerberg | F♯ Major | 0 | 2B | 80 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: III. Second Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Sauguet: Tableaux de Paris: V. Le canal Saint-Martin | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Light Year: II. Stella Polaris | Kenneth Fuchs, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 93 BPM | ||
Sinfonietta: II. Andante | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 80 BPM |
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