Hiroshi Mizuhara's '愛の渚' came out on December 11, 1996. The duration of 愛の渚 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. 愛の渚's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 想いでの音楽館 水原 弘, so we believe that "愛の渚" is a single. In terms of popularity, 愛の渚 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 愛の渚 by Hiroshi Mizuhara is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
シーハイルの歌 | Yoko Seri | A Minor | 4 | 8A | 108 BPM | ||
勇気あるもの | Sayuri Yoshinaga, トニーズ | A Minor | 4 | 8A | 114 BPM | ||
弱虫 | Keisuke Yamauchi | C Minor | 5 | 5A | 77 BPM | ||
慟哭のブルース | Hiroshi Mizuhara | D Minor | 4 | 7A | 123 BPM | ||
誰もいない処で | Tomoko Ogawa | F Minor | 6 | 4A | 96 BPM | ||
ごめんよ | Kenji Niinuma | E Minor | 5 | 9A | 85 BPM | ||
歌ってよ夕陽の歌を | Ryoko Moriyama | G Major | 2 | 9B | 182 BPM | ||
東京ラプソディ | Fujiyama Ichiro | E♭ Major | 3 | 5B | 104 BPM | ||
君こそわが命 | Hiroshi Mizuhara | A♭ Major | 4 | 4B | 127 BPM | ||
男の裏町 | 高倉健 | C Major | 2 | 8B | 79 BPM |
Section: 0.4573328495025635
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