"Don Giovanni, K. 527, Act II Scene 1: Ahi, ahi! la testa mia! (Masetto, Don Giovanni, Zerlina)" by Wolfgang Amadeus Mozart, Natale de Carolis, Riccardo Muti, Suzanne Mentzer, Wiener Philharmoniker, William Shimell was released on October 11, 1991. With Don Giovanni, K. 527, Act II Scene 1: Ahi, ahi! la testa mia! (Masetto, Don Giovanni, Zerlina) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 48 out of 70 in Don Giovanni by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti. Don Giovanni, K. 527, Act II Scene 1: Ahi, ahi! la testa mia! (Masetto, Don Giovanni, Zerlina) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Don Giovanni, K. 527, Act II Scene 1: Ahi, ahi! la testa mia! (Masetto, Don Giovanni, Zerlina) by Wolfgang Amadeus Mozart, Natale de Carolis, Riccardo Muti, Suzanne Mentzer, Wiener Philharmoniker, William Shimell is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Sir Roger Norrington, Andreas Schmidt, Nancy Argenta, London Classical Players | D♭ Major | 1 | 3B | 178 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 125 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM |
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