Raimon de Miraval, Clemencic Consort, Rene Clemencic's 'Selh que non vol' came out on September 22, 2009. The duration of Selh que non vol is about 3 minutes long, at 3:09. Based on our data, "Selh que non vol" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Troubadours". In this album, this song's track order is #14. In terms of popularity, Selh que non vol is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Selh que non vol by Raimon de Miraval, Clemencic Consort, Rene Clemencic having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Ispariz (arr. S. Kammen for vielle and gothic harp) | Hildegard von Bingen, Shira Kammen, Allison Zelles Lloyd | A Minor | 0 | 8A | 73 BPM | ||
Vil lieber grusse susse | Oswald von Wolkenstein, Rainer Herpichbohm, Hans Ganser, Augsburg Early Music Ensemble | A Minor | 3 | 8A | 155 BPM | ||
Todos los bienes del mundo | Juan del Encina, Accentus Ensemble, Thomas Wimmer | A Minor | 5 | 8A | 107 BPM | ||
Ginnie Pug or Strawberries and Cream (Arr. for Baroque ensemble by The Playfords) | John Playford, Playfords | D♭ Major | 4 | 3B | 106 BPM | ||
Fragments instrumentaux de Contrapollinopolis | Gregorio Paniagua | G Major | 0 | 9B | 74 BPM | ||
Madre de Deus | Alphonse X le Sage, Les musiciens de Provence, Maurice Guis | G Major | 2 | 9B | 120 BPM | ||
Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Gloria 'n cielo e pace 'n terra | Vox Vulgaris | F Major | 7 | 7B | 125 BPM |
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