"6 Études d'exécution transcendante d'après Paganini, S. 140: No. 4 in E Major "Arpeggio" (First Version)" by Franz Liszt, Goran Filipec was released on March 4, 2016. The duration of 6 Études d'exécution transcendante d'après Paganini, S. 140: No. 4 in E Major "Arpeggio" (First Version) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 6 Études d'exécution transcendante d'après Paganini, S. 140: No. 4 in E Major "Arpeggio" (First Version)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Goran Filipec's "Liszt Complete Piano Music, Vol. 42: Paganini Studies" album is number 11 out of 16. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 6 Études d'exécution transcendante d'après Paganini, S. 140: No. 4 in E Major "Arpeggio" (First Version) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 6 Études d'exécution transcendante d'après Paganini, S. 140: No. 4 in E Major "Arpeggio" (First Version) by Franz Liszt, Goran Filipec to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Widmung | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 0 | 4B | 172 BPM | ||
Liebestraum No.2 in E Flat Major, S.541 No.2 - nach einem Gedicht von Ludwig Uhland: Notturno II: Seliger Tod | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 136 BPM | ||
Tchaikovsky: The Seasons, Op. 37a: No. 10, October. Autumn Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Minor | 0 | 7A | 135 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM |
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