"Brideshead Revisited: Near escape" by BBC Philharmonic, Terry Davies was released on July 22, 2008. The duration of Brideshead Revisited: Near escape is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Brideshead Revisited: Near escape's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in BBC Philharmonic's "Johnston, A.: Brideshead Revisited (Soundtrack)" album is number 20 out of 24. Based on our statistics, Brideshead Revisited: Near escape's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Brideshead Revisited: Near escape by BBC Philharmonic, Terry Davies to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Concertino da Camera: II. Larghetto | Jacques Ibert, Nobuya Sugawa, Yutaka Sado, BBC Philharmonic | C Major | 0 | 8B | 81 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
The King's Speech | Alexandre Desplat | C Minor | 0 | 5A | 110 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Norma, Act I: Casta Diva (Arr. for Cello & Orchestra by Jan Vogler) - Radio Edit | Vincenzo Bellini, Jan Vogler, BBC Philharmonic, Omer Meir Wellber | D Major | 5 | 10B | 140 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases dod (The Death of Ase) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | B Minor | 0 | 10A | 84 BPM | ||
Suite No.2, K. 038: I. Marche. Crotchet = 80 | Igor Stravinsky, BBC Philharmonic, Andrew Davis | B Minor | 0 | 10A | 77 BPM | ||
Brideshead Revisited: No. 1, Sebastian | Adrian Johnston, Terry Davies, BBC Philharmonic | E♭ Major | 1 | 5B | 85 BPM | ||
Bronze Horseman Suite: Ib. On the Senate Square. Allegro | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | F Major | 1 | 7B | 87 BPM |
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