"Arcana: I. Preludio" by Rudolf Escher, N/A, Thomas Beijer was released on September 8, 2017. With this song being about 5 minutes long, at 5:12, "Arcana: I. Preludio" by Rudolf Escher, N/A, Thomas Beijer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in N/A, Thomas Beijer's "Music for the Mourning Spirit" album is number 8 out of 19. Based on our statistics, Arcana: I. Preludio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Arcana: I. Preludio by Rudolf Escher, N/A, Thomas Beijer to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Flute and Piano: Comodo | Rudolf Escher, Emily Beynon, Sepp Grotenhuis | A♭ Major | 1 | 4B | 86 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Can She Excuse My Wrongs à 4 | John Dowland, Les Joueurs de Traverse, Marc Mauillon, Christian Rivet | G Minor | 0 | 6A | 136 BPM | ||
O Ecclesia, BN 64 | Hildegard von Bingen, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
Missa Veni Domine: Id. Kyrie II | Filipe de Magalhães, Cupertinos, Luís Toscano | B Minor | 1 | 10A | 79 BPM | ||
Concerto No. 3 in F Major, Op. 8, RV 293 "L'autunno": II. Adagio molto (With Narrator) | Antonio Vivaldi, Flanders Recorder Quartet, Marion Verbruggen | F♯ Minor | 0 | 11A | 66 BPM | ||
Air pour charmer un lezard, Op. 28, for Solo Flute | Rudolf Escher, Ingrid Geerlings, Pauline Post | G Minor | 0 | 6A | 64 BPM | ||
Beauty for Ashes | Bob Chilcott, The Elysian Singers, Sam Laughton, Mark Brafield | B♭ Major | 1 | 6B | 61 BPM | ||
Říkadla: XI. Ho, ho, off go the cows | Leoš Janáček, Cappella Amsterdam, Daniel Reuss, Radio Blazers Ensemble | A♭ Major | 1 | 4B | 137 BPM | ||
Arabesques: III. Fading | Joanna Marsh, Owain Park, The Gesualdo Six | A Minor | 1 | 8A | 126 BPM |
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