"Blow: Salvator Mundi in G Minor, a 5" by John Blow, Westminster Abbey Choir/Douglas Guest/Simon Preston, Douglas Guest was released on September 16, 2011. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 88 in the song's album "Treasury of English Church Music". In this album, this song's track order is #7. Blow: Salvator Mundi in G Minor, a 5 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Blow: Salvator Mundi in G Minor, a 5 by John Blow, Westminster Abbey Choir/Douglas Guest/Simon Preston, Douglas Guest having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
Suite in C Minor: II. Andamento | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 69 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Venus and Adonis: Come shepherds all | John Blow, Eugénie Lefebvre, Clément Debieuvre, Davy Cornillot, David Witczak, Ensemble Leviathan, Lucile Tessier | B♭ Major | 2 | 6B | 168 BPM |
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