"Traditional / Arr. Vaughan Williams: The Truth from Above: "This Is the Truth Sent from Above"" by Traditional, Choir of King's College, Cambridge, Stephen Cleobury was released on December 1, 2008. The duration of Traditional / Arr. Vaughan Williams: The Truth from Above: "This Is the Truth Sent from Above" is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Traditional / Arr. Vaughan Williams: The Truth from Above: "This Is the Truth Sent from Above"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 51 in Christmas At King's by Choir of King's College, Cambridge. Based on our statistics, Traditional / Arr. Vaughan Williams: The Truth from Above: "This Is the Truth Sent from Above"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Traditional / Arr. Vaughan Williams: The Truth from Above: "This Is the Truth Sent from Above" by Traditional, Choir of King's College, Cambridge, Stephen Cleobury is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Gaillarde & Branle de Champagne | Claude Gervaise, Enrike Solinís, Euskal Barrokensemble | G Minor | 2 | 6A | 85 BPM | ||
Linden Lea (Version for Choir) | Ralph Vaughan Williams, Convivium Singers, Alexander Norman | F Major | 1 | 7B | 84 BPM | ||
Passion Week, Op. 13: VI. Of Thy Mystical Supper | Maximilian Steinberg, Cappella Romana, Alexander Lingas | C Major | 0 | 8B | 128 BPM | ||
Stella splendens | Anonymous, Jessica Baran-Surel | B♭ Major | 4 | 6B | 105 BPM | ||
Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | ||
Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
Thy Resurrection-(authentic Kiev chant) | authentic Kiev chant, Monks Choir of Kiev Pechersk Monastery | D♭ Minor | 3 | 12A | 106 BPM | ||
Kol' slaven nash (How great is our Lord in Zion) | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Major | 1 | 5B | 80 BPM | ||
Ach Elslein, Liebes Elselein Mein | Piffaro | E Minor | 1 | 9A | 110 BPM | ||
Glory To The Father | Rybin Male Choir, Conductor: Valery Rybin | D Minor | 0 | 7A | 169 BPM |
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