"Kinderszenen (Scenes of Childhood), Op. 15: No. 13. Der Dichter spricht (The Poet Speaks)" by Robert Schumann, Inger Södergren was released on April 1, 2011. The duration of Kinderszenen (Scenes of Childhood), Op. 15: No. 13. Der Dichter spricht (The Poet Speaks) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Kinderszenen (Scenes of Childhood), Op. 15: No. 13. Der Dichter spricht (The Poet Speaks)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Schumann: Carnaval - Variations posthumes - Kinderszenen". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. In terms of popularity, Kinderszenen (Scenes of Childhood), Op. 15: No. 13. Der Dichter spricht (The Poet Speaks) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen (Scenes of Childhood), Op. 15: No. 13. Der Dichter spricht (The Poet Speaks) by Robert Schumann, Inger Södergren having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norwegian Peasant Dances, Op. 72: No. 17, Kivlemøyane. Gangar. Allegretto marcato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Variations on a Theme by Rode "La Ricordanza", Op. 33: Var. IV: Sostenuto | Carl Czerny, Lucas Thomazinho | E♭ Major | 0 | 5B | 67 BPM | ||
Cuatro Danzas Mexicanas: IV, Vivo – Poco meno | Manuel Ponce, Argentina Durán | F♯ Major | 2 | 2B | 128 BPM | ||
Pets Let Down Their Guard | Bernie Horatio | A♭ Minor | 0 | 1A | 65 BPM | ||
Prélude in E-Flat Minor, Op. 16, No. 4 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Spanische Liebeslieder, Op. 138: 3. O wie lieblich ist das Mädchen | Robert Schumann, Emanuel Geibel, Martin Mitterrutzner, Gerold Huber, James Cheung | B♭ Major | 1 | 6B | 112 BPM | ||
Kinderszenen (Scenes of Childhood), Op. 15: No. 11. Furchtenmachen (Frightening) | Robert Schumann, Inger Södergren | A♭ Minor | 1 | 1A | 94 BPM | ||
5 Préludes, Op. 16: No. 4, Lento | Alexander Scriabin, Elisaveta Blumina | E♭ Minor | 0 | 2A | 74 BPM | ||
48 Esquisses, Op. 63, Book 2: No. 22, Innocenzia | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Poulenc: Sonata for Piano 4-Hands, FP 8: I. Prelude | Francis Poulenc, Emmanuel Strosser, Alexandre Tharaud | A♭ Major | 1 | 4B | 109 BPM |
Section: 0.6488492488861084
End: 0.6537744998931885