Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble made "Dido and Aeneas, Z. 626: Act II: 1st and 2nd Witches: But, ere we this perform" available on May 14, 1997. With Dido and Aeneas, Z. 626: Act II: 1st and 2nd Witches: But, ere we this perform being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #21. In terms of popularity, Dido and Aeneas, Z. 626: Act II: 1st and 2nd Witches: But, ere we this perform is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dido and Aeneas, Z. 626: Act II: 1st and 2nd Witches: But, ere we this perform by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
The Indian Queen, Z. 630: Trumpet Tune | Henry Purcell, Stephane Beaulac, Vincent Boucher | A Minor | 2 | 8A | 127 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | G Minor | 0 | 6A | 131 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Vespers, Op. 37: Nunc dimittis | Sergei Rachmaninoff, Franck Krawczyk, Sinfonia Varsovia | E♭ Minor | 0 | 2A | 84 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM |
Section: 0.6401002407073975
End: 0.6445977687835693