"The Rite of Spring (Scenes of Pagan Russia in two parts): Part One - Adoration of the Earth: Adoration of the Earth (Wise Elder)" by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra was released on 1948. With The Rite of Spring (Scenes of Pagan Russia in two parts): Part One - Adoration of the Earth: Adoration of the Earth (Wise Elder) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Igor Stravinsky's "Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)" album is number 7 out of 145. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Rite of Spring (Scenes of Pagan Russia in two parts): Part One - Adoration of the Earth: Adoration of the Earth (Wise Elder) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Rite of Spring (Scenes of Pagan Russia in two parts): Part One - Adoration of the Earth: Adoration of the Earth (Wise Elder) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin, M. 68: II. Forlane | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | E♭ Major | 0 | 5B | 78 BPM | ||
Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: III. Largo | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | C Major | 0 | 8B | 81 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): IV. Pas de deux: Coda | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | G Major | 2 | 9B | 92 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM |
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