"Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro" by Ludwig van Beethoven, Zagreb Philharmonic Orchestra, Richard Edlinger was released on March 15, 1990. Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The song is number 4 out of 9 in Beethoven: Essence of the Beethoven Symphonies (The) by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro by Ludwig van Beethoven, Zagreb Philharmonic Orchestra, Richard Edlinger is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | ||
Beethoven: Piano Sonata No. 11 in B-Flat Major, Op. 22: II. Adagio con molto espressione | Ludwig van Beethoven, Stephen Kovacevich | E♭ Major | 0 | 5B | 125 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM |
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