- BPM
- 60
- Key
- F♯ Minor
- Camelot
- 11A
Der Schlunz - Süßer Schrecken, saurer Schrecken.2 - Der Schlunz - Süßer Schrecken, saurer Schrecken - Tim Weide, Bibellesebúnd, Schlunz, Mark Lill Information
- Acousticness
- 73%
- Danceability
- 59%
- Energy
- 37%
- Instrumentalness
- 0%
- Liveness
- 31%
- Loudness
- 75%
- Speechiness
- 96%
- Valence
- 35%
- Popularity
- 9%
- Loudness
- -14.946 dB
Summary
Tim Weide, Bibellesebúnd, Schlunz, Mark Lill's 'Der Schlunz - Süßer Schrecken, saurer Schrecken.2 - Der Schlunz - Süßer Schrecken, saurer Schrecken' had a release date set for September 14, 2010. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 6 in Der Schlunz - Süßer Schrecken, saurer Schrecken by Tim Weide, Bibellesebúnd, Schlunz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Der Schlunz - Süßer Schrecken, saurer Schrecken.2 - Der Schlunz - Süßer Schrecken, saurer Schrecken is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Der Schlunz - Süßer Schrecken, saurer Schrecken.2 - Der Schlunz - Süßer Schrecken, saurer Schrecken BPM
The tempo marking of Der Schlunz - Süßer Schrecken, saurer Schrecken.2 - Der Schlunz - Süßer Schrecken, saurer Schrecken by Tim Weide, Bibellesebúnd, Schlunz, Mark Lill is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Der Schlunz - Süßer Schrecken, saurer Schrecken.2 - Der Schlunz - Süßer Schrecken, saurer Schrecken Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Teil 14 | 5 Geschwister | C Minor | 2 | 5A | 144 BPM | |
 | Teil 1 - Folge 8: Aldermoor Asylum | Wayne McLair, Paul Burghardt, Felix Würgler, Thomas Kramer, Tanja Niehoff, Tanya Kahana, Katja Brügger, Robert Kerick, Vanida Karun, Douglas Welbat, Marie Burghardt | A♭ Major | 7 | 4B | 75 BPM | |
 | Kapitel 5 - Folge 88: Wo ist Stürmer Leon Blitz? | Die Playmos, Christoph Dittert, Björn Berenz, Florian Fickel, Gerrit Schmidt-Foß, Santiago Ziesmer, Ricardo Richter, Nicolás Artajo, Giuliana Jakobeit | B♭ Minor | 4 | 3A | 169 BPM | |
 | Teil 14 - Folge 43: Professor van Dusen und der Leichenräuber | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Heinz Giese, Michael Christian, Maren Kroymann, Herbert Weißbach, Heinz Spitzner, Klaus Jepsen, Susanne Lüpertz, Bernd Ludwig, Ingolf Gorges, Barbara Witte | C Major | 3 | 8B | 94 BPM | |
 | Kapitel 1 & Kapitel 2.1 - Liebesdings | Anika Decker | B♭ Minor | 5 | 3A | 88 BPM | |
 | Peter stürmt die Berggipfel - Teil 8 | Löwenzahn | D♭ Major | 7 | 3B | 133 BPM | |
 | Kapitel 15: Der Lügenprophet (Folge 17) | Erwischt!, Wolfgang Adenberg | F♯ Major | 5 | 2B | 69 BPM | |
 | Kapitel 14: Tod des Sokrates (Folge 18) | Hubert ohne Staller | E Minor | 3 | 9A | 135 BPM | |
 | Frühlings Erwachen - 2. Akt, 1. Szene, Teil 3 | Reclam Hörbücher, Lisa Vicari, Frank Wedekind | B Minor | 3 | 10A | 122 BPM | |
 | Kapitel 08: Alles Schöne hat ein Ende | Spiel mit mir | D♭ Major | 2 | 3B | 82 BPM |
- ISRC
- DEWM51178530
- Label
- L-M Records/RCA Records