Jean-Baptiste Forqueray, Antoine Forqueray, Wieland Kuijken, Sigiswald Kuijken, Robert Kohnen made "Pieces de viole: Suite No. 3 in D Major: VI. La Eynaud: Fierement" available on March 1, 2010. The duration of Pieces de viole: Suite No. 3 in D Major: VI. La Eynaud: Fierement is about 3 minutes long, at 3:15. Based on our data, "Pieces de viole: Suite No. 3 in D Major: VI. La Eynaud: Fierement" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sigiswald Kuijken's "Late French Viol Music" album is number 14 out of 15. Based on our statistics, Pieces de viole: Suite No. 3 in D Major: VI. La Eynaud: Fierement's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pieces de viole: Suite No. 3 in D Major: VI. La Eynaud: Fierement by Jean-Baptiste Forqueray, Antoine Forqueray, Wieland Kuijken, Sigiswald Kuijken, Robert Kohnen to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in D Minor, Op. 4, No. 1: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | A♭ Major | 0 | 4B | 119 BPM | ||
Trio sonata no 9 in b minor ; Largo | Giovanni Bononcini, Yasunori Imamura, Fons Musicae | G Major | 0 | 9B | 74 BPM | ||
Pieces de viole: Suite No. 3 in D Major: V. La Du Vaucel (by Jean-Baptiste Forqueray) | Jean-Baptiste Forqueray, Antoine Forqueray, Jakob David Rattinger, Ralf Waldner | D♭ Major | 1 | 3B | 108 BPM | ||
Sonata in G Minor: I. — | Giovanni Buonaventura Viviani, Veronika Skuplik, Andreas Arend | B Minor | 3 | 10A | 70 BPM | ||
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Concerto No. 5 in G Minor, Op. 2 No. 5: I. Largo | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Alberto Rasi | F♯ Minor | 2 | 11A | 66 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM |
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