Gewandhausorchester Leipzig, Peter Schreier, Erhard Mauersberger, Dresdner Kreuzchor, Eva Haßbecker, Thomanerchor Leipzig, Hermann Christian Polster, Rudolf Mauersberger's 'J. S. Bach: Matthäus-Passion/Zweiter Teil/Auf das Fest aber hatte der Landpfleger Gewohnheit... (Evangelist/Pilatus/Pilati Weib/Chor)' came out on 1975. The duration of J. S. Bach: Matthäus-Passion/Zweiter Teil/Auf das Fest aber hatte der Landpfleger Gewohnheit... (Evangelist/Pilatus/Pilati Weib/Chor) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. J. S. Bach: Matthäus-Passion/Zweiter Teil/Auf das Fest aber hatte der Landpfleger Gewohnheit... (Evangelist/Pilatus/Pilati Weib/Chor)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 45 out of 68. J. S. Bach: Matthäus-Passion/Zweiter Teil/Auf das Fest aber hatte der Landpfleger Gewohnheit... (Evangelist/Pilatus/Pilati Weib/Chor) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of J. S. Bach: Matthäus-Passion/Zweiter Teil/Auf das Fest aber hatte der Landpfleger Gewohnheit... (Evangelist/Pilatus/Pilati Weib/Chor) by Gewandhausorchester Leipzig, Peter Schreier, Erhard Mauersberger, Dresdner Kreuzchor, Eva Haßbecker, Thomanerchor Leipzig, Hermann Christian Polster, Rudolf Mauersberger to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM |
Section: 0.7604207992553711
End: 0.7654716968536377