Johann Sebastian Bach, Igor Levit made "Goldberg Variations, BWV 988: Var. 6 - Canone alla Seconda a 1 Clav." available on November 4, 2016. With Goldberg Variations, BWV 988: Var. 6 - Canone alla Seconda a 1 Clav. being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Igor Levit's "Goldberg Variations - The Goldberg Variations, BWV 988" album is number 7 out of 32. Based on our statistics, Goldberg Variations, BWV 988: Var. 6 - Canone alla Seconda a 1 Clav.'s popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Goldberg Variations, BWV 988: Var. 6 - Canone alla Seconda a 1 Clav. by Johann Sebastian Bach, Igor Levit to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
The Well-Tempered Clavier, Book 2: Fugue No. 16 in G Minor, BWV 885 | Johann Sebastian Bach, Glenn Gould | G Minor | 4 | 6A | 109 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Sonata for Lute No. 8 in A Major: II. Allemande | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 96 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
Symphony No. 26 in C Minor: II. Andante arioso | Johannes Matthias Sperger, L'Arte del mondo, Werner Ehrhardt | A♭ Major | 0 | 4B | 112 BPM | ||
V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM | ||
Menuet In C Major, K. 485a | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | B Major | 0 | 1B | 132 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM |
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