Johann Sebastian Bach, Emerson String Quartet made "The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 7" available on January 1, 2003. The duration of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 7 is about 3 minutes long, at 3:06. Based on our data, "The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 7" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 22 in Bach, J.S.: The Art of Fugue - Emerson String Quartet by Johann Sebastian Bach, Emerson String Quartet. The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 7 is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 7 by Johann Sebastian Bach, Emerson String Quartet is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | D♭ Major | 0 | 3B | 53 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.7 in E flat major BWV876 | Daniel Barenboim | A Minor | 1 | 8A | 120 BPM | ||
Johannes-Passion, BWV 245.1: 22. Choral: Durch dein Gefängnis, Gottes Sohn | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.22 in B flat minor BWV867 | Daniel Barenboim | B♭ Minor | 0 | 3A | 98 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
La villageoise | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 152 BPM |
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