"Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante" by Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur was released on January 1, 2008. Since Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Anne-Sophie Mutter, André Previn, Lynn Harrell, Gewandhausorchester, Kurt Masur's "Mendelssohn: Violin Concerto Op.64; Piano Trio Op.49; Violin Sonata in F major (1838)" album is number 2 out of 11. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante by Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Lieder ohne Worte, Op.19: No. 4 In A (Moderato), MWV U 73 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 134 BPM | ||
Concerto For 2 Harpsichords, Strings, And Continuo In C Minor, BWV 1060 - Arr. For Violin, Oboe, Strings & Continuo: 2. Adagio | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 2 | 5A | 88 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Across The Stars (Love Theme) - From "Star Wars: Attack Of The Clones" | John Williams, Anne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles | D Minor | 2 | 7A | 88 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | A♭ Major | 1 | 4B | 133 BPM | ||
Romance in F for Viola & Orchestra, Op.85 | Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly | F Major | 1 | 7B | 99 BPM |
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