L'Arlésienne Suite No.1: Prélude
Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan
Bizet: L'Arlésienne Suites Nos.1 & 2; Carmen Suite
6:54 January 1, 1985
BPM
114
Key
C Minor
Camelot
5A

Embed

Share Link

L'Arlésienne Suite No.1: Prélude - Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan Information

Acousticness
98%
Danceability
22%
Energy
3%
Instrumentalness
85%
Liveness
10%
Loudness
66%
Speechiness
4%
Valence
4%
Popularity
Loudness
-20.683 dB

Summary

"L'Arlésienne Suite No.1: Prélude" by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1985. Since L'Arlésienne Suite No.1: Prélude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Bizet: L'Arlésienne Suites Nos.1 & 2; Carmen Suite by Georges Bizet, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, L'Arlésienne Suite No.1: Prélude is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

L'Arlésienne Suite No.1: Prélude BPM

The tempo marking of L'Arlésienne Suite No.1: Prélude by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

L'Arlésienne Suite No.1: Prélude Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee by Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the FieldsRimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the BumblebeeNikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the FieldsG Major09B86 BPM
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato by Franz Schubert, Alfred Brendel6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderatoFranz Schubert, Alfred BrendelG Minor06A103 BPM
Hungarian Dance No. 3 In F Major, WoO 1 (Orchestrated By Johannes Brahms) by Johannes Brahms, Berliner Philharmoniker, Herbert von KarajanHungarian Dance No. 3 In F Major, WoO 1 (Orchestrated By Johannes Brahms)Johannes Brahms, Berliner Philharmoniker, Herbert von KarajanF Major17B80 BPM
Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro by Hector Berlioz, Berliner Philharmoniker, Sir Simon RattleBerlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - AllegroHector Berlioz, Berliner Philharmoniker, Sir Simon RattleA♭ Major24B80 BPM
Sinfonia in C major, RV 112: I. Allegro by Karoly BotvaySinfonia in C major, RV 112: I. AllegroKaroly BotvayG Major29B119 BPM
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) by Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel JeanLe docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin)Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel JeanC Major18B133 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineC Major38B106 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] by Carl Philipp Emanuel Bach, Giovanni MazzocchinNotebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]Carl Philipp Emanuel Bach, Giovanni MazzocchinE♭ Major15B113 BPM
Act Two (Part One) by Renata Tebaldi, Fernando Corena, Giulietta Simionato, Cornell MacNeil, Piero de Palma, Singverein des Gesellschaft der Musikfreunde, Eugenia Ratti, Carlo Bergonzi, Arnold van Mill, Vienna Philharmonic Orchestra, Herbert von KarajanAct Two (Part One)Renata Tebaldi, Fernando Corena, Giulietta Simionato, Cornell MacNeil, Piero de Palma, Singverein des Gesellschaft der Musikfreunde, Eugenia Ratti, Carlo Bergonzi, Arnold van Mill, Vienna Philharmonic Orchestra, Herbert von KarajanF Minor14A147 BPM
Symphony No.9 In E Minor, Op.95, B. 178 Symphony No.9 In E Minor, Op.95, B. 178 "From the New World": 1. Adagio - Allegro moltoAntonín Dvořák, Wiener Philharmoniker, Herbert von KarajanE Minor19A115 BPM
ISRC
DEF058400591
Label
L-M Records/RCA Records

Section: 0.6761415004730225

End: 0.6811633110046387