Lucius Smith made "Goodbye Honey, You Call That Gone - Previously Unreleased" available on December 28, 2010. The duration of Goodbye Honey, You Call That Gone - Previously Unreleased is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Goodbye Honey, You Call That Gone - Previously Unreleased's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "I'll Meet You On That Other Shore: Alan Lomax’s "Southern Journey," 1959–1960" album is number 13 out of 15. Based on our statistics, Goodbye Honey, You Call That Gone - Previously Unreleased's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Goodbye Honey, You Call That Gone - Previously Unreleased by Lucius Smith to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Call Me | Signor | G Major | 3 | 9B | 99 BPM | ||
Diddie Wah Diddie | Blind Blake | C Major | 2 | 8B | 182 BPM | ||
We Are Free | John S Comeaux | B♭ Major | 2 | 6B | 110 BPM | ||
Prayer of Death, Pt. 1 | Charley Patton | D♭ Major | 2 | 3B | 102 BPM | ||
Mama's Goin' To Buy Him a Little Lap Dog | Vera Hall | A♭ Minor | 0 | 1A | 170 BPM | ||
Never No Mo' Blues | Jimmie Rodgers | B♭ Major | 3 | 6B | 136 BPM | ||
Peachbottom Creek | Wade Ward | F Major | 5 | 7B | 137 BPM | ||
Down South Blues | Dock Boggs | B♭ Minor | 4 | 3A | 102 BPM | ||
Dark Road Blues | Willie Lofton | D Major | 2 | 10B | 142 BPM | ||
Sail Away Ladies | Uncle Dave Macon and His Fruit-Jar Drinkers | A♭ Major | 5 | 4B | 130 BPM |
Section: 0.4549565315246582
End: 0.46041202545166016