Marin Marais, Vittorio Ghielmi, Luca Pianca made "Les regrets" available on April 10, 2020. The duration of Les regrets is about 3 minutes long, at 3:18. Based on our data, "Les regrets" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, Luca Pianca, Il Suonar Parlante Orchestra, Vittorio Ghielmi's "Le secret de Monsieur Marais" album is number 15 out of 21. On top of that, France appears to be the country where this track was created. Les regrets is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Les regrets by Marin Marais, Vittorio Ghielmi, Luca Pianca to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passepieds de Bretaigne | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | A Minor | 2 | 8A | 128 BPM | ||
Jupiter | Antoine Forqueray, Scott Ross | B Minor | 5 | 10A | 84 BPM | ||
Io son ferito ahi lasso | Giovanni Pierluigi da Palestrina, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | G Minor | 0 | 6A | 134 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Ciacona in C Major | Antonio Bertali, Freiburger BarockConsort | B Major | 2 | 1B | 120 BPM | ||
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
Alcione - 3Ème Suite - Airs Pour Les Prêtresse Et Les Magiciens - Prélude De L'Acte Second | Jordi Savall, Marin Marais | F Major | 0 | 7B | 184 BPM |
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