"Communion: Vox in Rama (Mode VII)" by Benedictine Nuns of Saint-Michel de Kergonan was released on 1995. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "The Martyr Saints: The Mass of Saint Étienne". In this album, this song's track order is #15. Based on our statistics, Communion: Vox in Rama (Mode VII)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Communion: Vox in Rama (Mode VII) by Benedictine Nuns of Saint-Michel de Kergonan having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Livre de Job : Lecture. Job 3, 15 | Choeur grégorien de Paris | B♭ Major | 0 | 6B | 98 BPM | ||
Nicene Creed | The Schola Cantorum of St. Peter's in the Loop | F Minor | 0 | 4A | 79 BPM | ||
Sitientes venite ad aquas - II modo | Schola gregoriana mediolanensis, Giovanni Vianini | D♭ Major | 0 | 3B | 131 BPM | ||
Cantus Missarum: Transitorium: Te laudamus | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | B♭ Major | 1 | 6B | 110 BPM | ||
Agnus X | Choeur des moines de l’abbaye Sainte-Anne de Kergonan | G Major | 1 | 9B | 96 BPM | ||
Pray for the Peace | Chants for Meditation | F Major | 0 | 7B | 171 BPM | ||
Les mystères douloureux : Crux Fidelis | Anonymous, Choeur des moniales bénédictine de l'Abbaye de Kergonan | A♭ Minor | 1 | 1A | 75 BPM | ||
Andreae Apostoli | Pro Cantione Antiqua, Mark Brown | A Minor | 1 | 8A | 131 BPM | ||
Faithful Cross | The Singing Nuns | A♭ Minor | 1 | 1A | 69 BPM | ||
Antienne "Salve Regina" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E Major | 0 | 12B | 107 BPM |
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