Radio Symphony Orchestra's 'Carmen : Suite - Chanson de toreador' came out on June 12, 2010. The duration of Carmen : Suite - Chanson de toreador is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Carmen : Suite - Chanson de toreador's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Radio Symphony Orchestra's "Georges Bizet and Maurice Ravel" album is number 10 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Carmen : Suite - Chanson de toreador is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Carmen : Suite - Chanson de toreador by Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liszt - Liebestraume No.3 | Brodin Ray | A♭ Major | 1 | 4B | 63 BPM | ||
Suite for Variety Orchestra: VII. Waltz No. 2 (Arr. F. Noack for Piano) | Dmitri Shostakovich, Francois Xavier Poizat | C Minor | 2 | 5A | 98 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Broken Strings | Georgy Apollonovich Gapon, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Nazarov | G Minor | 1 | 6A | 104 BPM | ||
Room 8, Reprise | Nits, Jan Stulen, RJ Stips, Hofstede, Kloet, Radio Symphony Orchestra | A Major | 0 | 11B | 43 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Don Quixote: Act IV: Basilio's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | C Major | 2 | 8B | 177 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM |
Section: 0.717048168182373
End: 0.7211754322052002