Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little's 'Partita for Violin and Orchestra: IV. Ad libitum' came out on March 1, 2013. With Partita for Violin and Orchestra: IV. Ad libitum being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little, Michael Collins's "Lutosławski: Symphony No. 1, Partita, Chain 2 & Preludia Taneczne" album is number 8 out of 18. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Partita for Violin and Orchestra: IV. Ad libitum is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Partita for Violin and Orchestra: IV. Ad libitum by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: III. Finale | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile | Florence Beatrice Price, Ragazze Quartet | F Major | 2 | 7B | 165 BPM | ||
Symphony No. 1: III. Allegretto misterioso | Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra | A Minor | 0 | 8A | 118 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Dance Preludes: I. Allegro molto (2nd Version) | Witold Lutosławski, Martin Fröst, Lucy Reeves, Benjamin Martin, Brian Nixon, Richard Gleeson, Australian Chamber Orchestra, Richard Tognetti | F Minor | 2 | 4A | 100 BPM | ||
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Sinfonietta, FP 141: IV. Finale | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 117 BPM | ||
L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM |
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