"Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118: III. Alla Polacca" by Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra was released on January 1, 1992. Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118: III. Alla Polacca is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. This song is part of Weber: Clarinet Concertos / Rossini: Introduction, Theme and Variations by Charles Neidich, Orpheus Chamber Orchestra. The song's track number on the album is #16 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118: III. Alla Polacca's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118: III. Alla Polacca by Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118: III. Alla Polacca being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Aufforderung zum Tanz, Op. 65 | Carl Maria von Weber, Michelangelo Carbonara | D♭ Major | 1 | 3B | 131 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |
Section: 0.8894715309143066
End: 0.8987166881561279