"Concerto for Bandoneon and Chamber Orchestra "Aconcagua": I. Allegro marcato" by Astor Piazzolla, Ksenija Sidorova, NDR Elbphilharmonie Orchester, Thomas Henglebrock was released on 2018. Since Concerto for Bandoneon and Chamber Orchestra "Aconcagua": I. Allegro marcato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Piazzolla Reflections". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. Concerto for Bandoneon and Chamber Orchestra "Aconcagua": I. Allegro marcato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Bandoneon and Chamber Orchestra "Aconcagua": I. Allegro marcato by Astor Piazzolla, Ksenija Sidorova, NDR Elbphilharmonie Orchester, Thomas Henglebrock having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Paganini Jazz, Op. 5c | Fazıl Say | A Minor | 4 | 8A | 64 BPM | ||
Pescadores de perlas | Florindo Sassone Y Su Orquesta | G Minor | 3 | 6A | 117 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Piano (arr. J.C. Oliva) | Julio Cesár Oliva, Bebu Silvetti | E Minor | 2 | 9A | 82 BPM | ||
Tango en Skaï | Roland Dyens, Pablo Sainz Villegas | A Minor | 2 | 8A | 122 BPM | ||
La Messa E' Finita: Il Valzer Della Cioccolata | Nicola Piovani | D Minor | 0 | 7A | 83 BPM | ||
Tango für Elise | Amsterdam Loeki Stardust Quartet | A Minor | 0 | 8A | 129 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Mano A Mano | Hugo Díaz | A Minor | 3 | 8A | 102 BPM |
Section: 0.700566291809082
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