"未来の想い出 - ボーナストラック" by Takashi Kako had its release date on October 21, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 風の画集, so we believe that "未来の想い出 - ボーナストラック" is a single. Based on our statistics, 未来の想い出 - ボーナストラック's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 未来の想い出 - ボーナストラック by Takashi Kako is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
END THEME | 天門 | C Major | 0 | 8B | 72 BPM | ||
Overture (Suite) No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 4 | 10A | 119 BPM | ||
鎌倉殿の13人 メインテーマ | Evan Call, 下野竜也, NHK Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
陰陽師・メインテーマ | 梅林 茂 | F Major | 6 | 7B | 122 BPM | ||
夏の表紙 | Yoko Kanno | A♭ Major | 2 | 4B | 133 BPM | ||
Arrietty's Song(借りぐらしのアリエッティより) - ピアノ ショートver. | ジブリ・サウンド | G Minor | 3 | 6A | 114 BPM | ||
家族の愛情ハーモニー | Harumi Fuuki | C Major | 3 | 8B | 77 BPM | ||
6 Etudes d'exécution transcendante d'après Paganini, S.140: ラ・カンパネラ | Franz Liszt, Fujiko Hemming | A♭ Minor | 4 | 1A | 86 BPM | ||
心のそばに -Instrumental- | Belle | G Major | 2 | 9B | 113 BPM | ||
棚橋と広瀬 3 | Harumi Fuuki | A♭ Major | 2 | 4B | 107 BPM |