On September 30, 1990, the song "Ecco la primavera (arr. S. Berger): Ballata: Ecco la primavera (arr. S. Berger)" was released by Sven Berger, Francesco Landini, Joculatores Upsalienses. The duration of Ecco la primavera (arr. S. Berger): Ballata: Ecco la primavera (arr. S. Berger) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Ecco la primavera (arr. S. Berger): Ballata: Ecco la primavera (arr. S. Berger)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joculatores Upsalienses's "Joculatores Upsalienses: Four Seasons (The)" album is number 1 out of 32. Based on our statistics, Ecco la primavera (arr. S. Berger): Ballata: Ecco la primavera (arr. S. Berger)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ecco la primavera (arr. S. Berger): Ballata: Ecco la primavera (arr. S. Berger) by Sven Berger, Francesco Landini, Joculatores Upsalienses to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Major: VI. Chaconne | Robert de Visée, Yasunori Imamura | F Major | 1 | 7B | 117 BPM | ||
Carolan's Welcome | Ronn McFarlane | A♭ Minor | 1 | 1A | 117 BPM | ||
Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM | ||
All in a garden green | Anon, Trinity Baroque, Martin Pope, Steven Player, Julian Podger, The Forbury Consort, The Holbein Consort, Alan Crumpler | G Major | 0 | 9B | 93 BPM | ||
Ce fut en mai | Moniot d'Arras, Folger Consort | F Major | 1 | 7B | 164 BPM | ||
Ja nus hons pris ne dira sa raison (Under the Greenwood Tree): Ja nuls homs pris | Richard I of England, Estampie, Graham Derrick | F Major | 0 | 7B | 95 BPM | ||
Amours amours amours | Antoine Busnois, Karl-Ernst Schröder, Crawford Young | G Major | 1 | 9B | 134 BPM | ||
Binchois: Triste plaisir et douleureuse joie | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | F♯ Major | 0 | 2B | 80 BPM | ||
Nuls om en ren: melody only | Aimeric de Belenoi, Martin Best Mediaeval Ensemble | A Minor | 0 | 8A | 112 BPM | ||
The Earl of Essex Galliard | John Dowland, Folger Consort | G Minor | 1 | 6A | 100 BPM |
Section: 0.5102105140686035
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