"24 Préludes, Op. 28: No. 5 in D Major" by Frédéric Chopin, Maria João Pires was released on January 1, 1994. With 24 Préludes, Op. 28: No. 5 in D Major being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 27 in Chopin: Piano Concerto No.2 In F Minor, Op. 21; 24 Preludes, Op. 28 by Frédéric Chopin, Maria João Pires, Royal Philharmonic Orchestra, André Previn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 24 Préludes, Op. 28: No. 5 in D Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 24 Préludes, Op. 28: No. 5 in D Major by Frédéric Chopin, Maria João Pires is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Sonata No. 13, Hob. XVI:6: Sonata No. 13, Hob. XVI:6: III. Adagio | Franz Joseph Haydn, Jean-Efflam Bavouzet | G Minor | 0 | 6A | 74 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM |
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