Pietro Mascagni, Axelle Gall, Plácido Domingo, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre made "Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi)" available on September 27, 1985. The duration of Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, Plácido Domingo, Elena Obraztsova, Georges Prêtre, Orchestra Del Teatro Alla Scala, Milano's "Mascagni: Cavalleria Rusticana" album is number 18 out of 20. In terms of popularity, Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) by Pietro Mascagni, Axelle Gall, Plácido Domingo, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Le nozze di Figaro, K.492 - Original version, Vienna 1786 / Act 2: "Voi che sapete" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | B♭ Major | 1 | 6B | 119 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
Ancor non abbagliata! | Pietro Mascagni | F Minor | 2 | 4A | 78 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile | Sergei Rachmaninoff, Daniel Harding, Wiener Philharmoniker, Igor Levit | D♭ Major | 1 | 3B | 183 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Cavalleria rusticana: Scena - Largo | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | C Major | 1 | 8B | 75 BPM |
Section: 0.7273330688476562
End: 0.732703685760498