"Gaetano Donizetti: lucia di Lammermoor: Tu che a Die spiegasti l'ali" by Anton de Ridder, Siegfried Vogel, Chor der Deutschen Staatsoper Berlin, Guiseppe Patané, Staatskapelle Berlin was released on 1996. With this song being about 5 minutes long, at 4:56, "Gaetano Donizetti: lucia di Lammermoor: Tu che a Die spiegasti l'ali" by Anton de Ridder, Siegfried Vogel, Chor der Deutschen Staatsoper Berlin, Guiseppe Patané, Staatskapelle Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Italian Classics - Vivaldi / Paganini / Verdi" album is number 5 out of 16. Gaetano Donizetti: lucia di Lammermoor: Tu che a Die spiegasti l'ali is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gaetano Donizetti: lucia di Lammermoor: Tu che a Die spiegasti l'ali by Anton de Ridder, Siegfried Vogel, Chor der Deutschen Staatsoper Berlin, Guiseppe Patané, Staatskapelle Berlin to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: Introit: Requiem aeternam - Kyrie (Solo Quartet, Chorus) | Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin | C Minor | 1 | 5A | 167 BPM | ||
Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Einmal nur - Es muß was Wunderbares sein (Josepha - Leopold) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | A♭ Major | 3 | 4B | 129 BPM | ||
Die Fledermaus / Act 2: "Ich lade gern mir Gäste ein" | Johann Strauss II, Brigitte Fassbaender, Wolfgang Brendel, Wiener Philharmoniker, André Previn | D♭ Major | 1 | 3B | 77 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 1: Wenn Beifall dieser Abend findet | Franz Lehár, Benno Kusche, Günter Kallmann Chor | G Major | 4 | 9B | 117 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
A Symphonic Mass: V. Sanctus - VI. Benedictus | George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus | G Major | 3 | 9B | 131 BPM | ||
Die Fledermaus: Act I: Taubchen, das entflattert ist (Adele, Alfred) | Johann Strauss II, Chen Reiss, Rainer Trost, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Gounod: Faust, Act 2: "Ainsi que la brise légère" (Chorus, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, José van Dam, Martine Mahé, Richard Leech, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM |
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