"A La Campagne. Op. 40: No. 1, Waves and Billows - Welte-Mignon 1200" by Theodor Leschetizky, Peter Phillips was released on April 2, 2024. With A La Campagne. Op. 40: No. 1, Waves and Billows - Welte-Mignon 1200 being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Passages. Heritage Brahms, Tchaikovsky & Mozart". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. A La Campagne. Op. 40: No. 1, Waves and Billows - Welte-Mignon 1200 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A La Campagne. Op. 40: No. 1, Waves and Billows - Welte-Mignon 1200 by Theodor Leschetizky, Peter Phillips having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arirang (Arr. Hough) | Anonymous, Stephen Hough | F Major | 2 | 7B | 77 BPM | ||
Concert Etude After Bach | ARSHA KAVIANI | C Major | 1 | 8B | 131 BPM | ||
48 Esquisses, Op. 63, Book 2: No. 19, Grâces | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Sierra Morena | rafel plana | A Minor | 1 | 8A | 62 BPM | ||
Helvetia, Op. 17: No. 3, Laufenburg from "Three Waltzes" - Welte-Mignon 1318 | Vincent d'Indy, Raoul Stéphane Pugno, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM | ||
4 Pieces, Op. 36: No. 4, Etude "The Spring" - Duo-Art 5699 | Theodor Leschetizky, Peter Phillips, Mark Hambourg | A Minor | 2 | 8A | 125 BPM | ||
Consolation No. 3, S. 172 in D-Flat Major - Duo-Art 6547 | Franz Liszt, Ernest Hutcheson, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM | ||
Variations on an Original Theme, Op. 21 No. 1: Var. 6, Più moto | Johannes Brahms, Vladimir Feltsman | A♭ Major | 0 | 4B | 120 BPM | ||
Lieder Ohne Worte. Op. 53,: No. 3, in G Minor - Welte-Mignon 1210 | Felix Mendelssohn, Vladimir de Pachmann, Peter Phillips | A♭ Major | 1 | 4B | 68 BPM | ||
VII. Allégresse | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM |
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