Nicol Matt, Jörg Halobek, Martina Rotbauer, Ute Petersilge, Heike Hümmer, Nordic Chamber Choir, Johann Sebastian Bach, Jens Wollenschläger, Robert Sagasser, Soloists Of The Freiburger Barockorchester's 'Hilf, Gott, Dass Mir's Gelinge Bwv 343' came out on March 28, 2007. With Hilf, Gott, Dass Mir's Gelinge Bwv 343 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Hilf, Gott, Dass Mir's Gelinge Bwv 343 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hilf, Gott, Dass Mir's Gelinge Bwv 343 by Nicol Matt, Jörg Halobek, Martina Rotbauer, Ute Petersilge, Heike Hümmer, Nordic Chamber Choir, Johann Sebastian Bach, Jens Wollenschläger, Robert Sagasser, Soloists Of The Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Deutsche Messe, D. 872: Schlussgesang: Nicht zu langsam | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
The Lord is a sun and a shield: No. 2, Verse "Now I know that the Lord saveth his anointed" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | A Major | 1 | 11B | 133 BPM | ||
King William's Rambles | The Royal Wind Music | D♭ Major | 2 | 3B | 140 BPM | ||
Timon of Athens, Z.632 / The Masque: 10. Solo "Love Quickly is Pall'd" | Henry Purcell, Andrew King, Musicians Of The Globe, Philip Pickett | D♭ Major | 2 | 3B | 80 BPM | ||
Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (c) Quam olim Abrahae promisisti | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 3 | 10B | 133 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Ouverture in E Minor, TWV 55:e1: II. Rejouissance | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 1 | 2A | 136 BPM |
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