Piae Cantiones, George Ratcliffe Woodward, Choir of King's College, Cambridge, Stephen Cleobury made "Up! good Christen folk" available on November 8, 2019. With Up! good Christen folk being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 32 in A Festival of Nine Lessons & Carols: The Centenary Service by Stephen Cleobury, Choir of King's College, Cambridge. Up! good Christen folk is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Up! good Christen folk by Piae Cantiones, George Ratcliffe Woodward, Choir of King's College, Cambridge, Stephen Cleobury is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blomstre som en rosengard (Like a Rose Garden) (arr. B. Holten and B. Kallenbach): Blomstre som en rosengård. | Bo Holten | E Major | 2 | 12B | 62 BPM | ||
3 Carols: Balulalow | Peter Warlock, Karen Kerslake, The Cambridge Singers, City of London Sinfonia, John Rutter | E♭ Major | 0 | 5B | 73 BPM | ||
Messiah HWV56, PART 2: Their sound is gone out (chorus: A tempo ordinario) | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury | D Major | 2 | 10B | 109 BPM | ||
Good King Wenceslas (arr. L. Woodruff) | Traditional, Louis Woodruff, Westminster Choir, New Jersey Symphony Orchestra, Philadelphia Concerto Soloists, members, Joseph Flummerfelt | A Major | 1 | 11B | 106 BPM | ||
The Christ Child | Gabriel Jackson, Choir of King's College, Cambridge, Alexander Banwell, Stephen Cleobury | D Major | 1 | 10B | 81 BPM | ||
O Magnum Mysterium | Morten Lauridsen, Stephen Cleobury, Choir of King's College, Cambridge | D Major | 1 | 10B | 129 BPM | ||
Messiah HWV56, PART 1: But who may abide? (alto air: Larghetto - Prestissimo) | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Alice Coote | D♭ Minor | 2 | 12A | 105 BPM | ||
O Come All Ye Faithfull (Adeste Fideles) | The Tabernacle Choir at Temple Square | A Major | 2 | 11B | 110 BPM | ||
Ding Dong, Merrily on High | Worcester Cathedral Choir | B♭ Major | 3 | 6B | 77 BPM | ||
First Vespers for the Nativity of the Blessed Virgin Mary: Psalm 117: Laudate Dominum omnes gentes; Antiphon 2: Beata progenies (mode II) | Anonymous, Choir of King's College, Cambridge, Stephen Cleobury | A Major | 1 | 11B | 80 BPM |
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