"Orgelbüchlein, BWV 599-644: Gelobet seist du, Jesu Christ, BWV 604" by Helmut Walcha was released on January 1, 2003. With Orgelbüchlein, BWV 599-644: Gelobet seist du, Jesu Christ, BWV 604 being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #13. Orgelbüchlein, BWV 599-644: Gelobet seist du, Jesu Christ, BWV 604 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orgelbüchlein, BWV 599-644: Gelobet seist du, Jesu Christ, BWV 604 by Helmut Walcha having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jupiter | Antoine Forqueray, Scott Ross | B Minor | 5 | 10A | 84 BPM | ||
24 Caprices en formes d'etudes: No. 1 in C Major | Pierre Rode, Axel Strauss | C Major | 2 | 8B | 151 BPM | ||
Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 1. Andante | George Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger | D♭ Minor | 1 | 12A | 79 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850 | Luc Beauséjour | D♭ Major | 5 | 3B | 118 BPM | ||
Flute Concerto No. 3 in C: 3. Allegro assai | Frederick the Great, Patrick Gallois, Carl Philipp Emanuel Bach Chamber Orchestra, Peter Schreier | C Major | 1 | 8B | 130 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 14 Les Sauvages | Jean-Philippe Rameau, Jean Rondeau | F Minor | 6 | 4A | 101 BPM | ||
Sinfonia a otto, ZWV 189: II. Andante | Jan Dismas Zelenka, Dresdner Kapellsolisten, Helmut Branny | F Major | 2 | 7B | 45 BPM | ||
12 Fantaisies: No. 10 in D Major, TWV 40:23: Fantasie No. 10 in D Major, TWV 40:23 | Georg Philipp Telemann, Augustin Hadelich | B♭ Major | 3 | 6B | 128 BPM |
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